With Love, Against Oppression and Towards Justice: Learning from Victor Hugo

 

Victor Hugo (1802-1885), one of the most influential writers of the 19th century and of humanity’s cultural history, masterfully wove themes of love, romance, gender, sex, marriage into his novels, offering profound insights into the human condition. His works such as The Hunchback of Notre-Dame (1831) and Les Misérables (1862), set against the backdrop of the turbulent socioeconomic and political landscape of what we know nowadays as France, continue to resonate with readers and scholars, providing a lens through which to understand historical progress and societal change.

 

19th-century France, which Hugo experienced first-hand, was marked by significant upheaval and transformation: the French Revolution of 1789, followed by the rise and fall of Napoléon Bonaparte, the subsequent Restoration of the monarchy, as well as the revolutions of 1830 and 1848, the emergence and advancement of industrialization and urbanization – all influenced and shaped the socio-political milieu. The struggle for democracy, the fight against oppression, the quest for social justice, on the one hand, stark realities of poverty, the yearning for human dignity, the need for redemption, absolution and freedom, on the other hand, were themes which deeply influenced Hugo’s worldview as mirrored in his writings. Thus, Hugo’s novels often reflect what Karl Marx would later refer to as “class struggle”, the stark divisions between the wealthy and the poor, the powerful and the powerless, intricately embedded within interhuman relationships as part of broader societal issues, bringing into spotlight the intersection of personal lives and national trajectories. For instance, in Les Misérables, the character of Jean Valjean represents the hardships of the working class and the possibility of forgiveness and transcendence, but at the same time, the novel critiques the harshness of the legal system and the societal structures perpetuating inequality. The Hunchback of Notre-Dame engages in a comparable manner with issues of social justice, particularly in its depiction of marginalized groups such as the Romani people: Esmeralda’s persecution reflects the larger individual and social prejudices and injustices faced by minority communities, specifically highlighted through the detailed yet compassionate portrayal of 15th-century Paris: a timeless critique of oppressing, marginalizing social and political hierarchies throughout history.

 

 

Love in Victor Hugo’s Novels

Love, in its many forms, is a central theme in Hugo’s novels: romantic love, familial love, and love for humanity are all intricately depicted, often projected against the background of societal injustices. In The Hunchback of Notre-Dame, Quasimodo’s tragic love of for Esmeralda illustrates unrequited love and the pain it bring with it: Quasimodo’s love is pure and self-sacrificing, standing in blatant contrast to the obsessive and destructive lust of Claude Frollo. Likewise, the unrequited love of Éponine for Marius in Les Misérables, and the camaraderie among the revolutionaries are all expressions of love’s diverse manifestations. The exploration of these characters allows Hugo the investigation of the complexities of human emotions and the ways in which love can drive individuals to acts of extraordinary courage and sacrifice, all various dimensions of love, from its most ennobling to its most destructive forms. Furthermore, in Les Misérables, the love between Cosette and Marius is orchestrated as pure and transformative, with their love story being a beacon of hope amidst the difficulties and suffering of those around them, symbolizing purity and the possibility of a better future, even as they navigate the chaos of revolutionary Paris. This romantic love is juxtaposed with the paternal love, both selfless and protective, which Jean Valjean feels for Cosette: his love drives him to great lengths to ensure Cosette’s safety and happiness, underschoring the redemptive power of love as an existential attitutde.

Romantic idealism is a recurring motif in Hugo’s works, as his positive characters commonly embody the ideals of chivalry and noble love, striving for higher moral and emotional standards, e.g., in The Hunchback of Notre-Dame presents a form of romantic idealism, although it is sometimes thwarted by the harsh realities of life, as Quasimodo’s love for Esmeralda might be noble and selfless, yet it is ultimately doomed by societal prejudice and injustice. Hugo uses these romantic ideals to critique the failures of society in living up to its own principles of integrity and compassion. Similarly, in Les Misérables, Marius and Cosette’s romance is depicted with a sense of idealism and purity, their love appearing as a source of strength and resilience, providing hope amidst the bleakness of their surroundings.

 

 

Sex, Morality and Marriage

 

 

Hugo’s treatment of sex and marriage reflects the moral and social attitudes of his time, while also challenging prevailing norms, being oftentimes intertwined with themes of morality and social judgment. In The Hunchback of Notre-Dame, Esmeralda’s sexuality, embodying both innocence and sensuality, is equally a source of fascination and condemnation, as her beauty and sensuality provoke desire and jealousy in those around her, resulting in her persecution and her tragic fate. Likewise, in Les Misérables, the character of Fantine represents the plight of women forced into prostitution due to poverty and societal neglect: her fall from grace and subsequent suffering reflect the harsh realities faced by women who are judged and marginalized for their sexuality while having no other options. Simultaneously, Hugo employs Fantine’s story to expose the moral hypocrisy of society, which condemns women for the very actions that society’s injustices compel them to undertake and not addressing the underlying issues of “supply and offer”. Hugo’s depiction of these female symbolical characters underscores the double standards and moralist attitudes towards women’s sexuality in 19th-century society – and throughout history, in fact.

Directly related to this, marriage in Hugo’s novels is often depicted as a social contract fraught with challenges, rather than a union based on love: in line with his romantic proclivities, Hugo critiques marriages of convenience and the lack of genuine emotional connection in such unions. In The Hunchback of Notre-Dame, the institution of marriage is profoundly, critically scrutinized through the character of Fleur-de-Lys, who is betrothed to Phoebus, but their engagement is more about social status and convenience than love, contrasting sharply with the genuine, albeit tragic, love Quasimodo feels for Esmeralda. Through these depictions, Hugo highlights the tension between personal desires and societal expectations in matters of marriage and individual fulfilment. In Les Misérables, Fantine’s abandonment by her lover and her subsequent descent into poverty, prostitution and death reveals the vulnerabilities faced by women in a patriarchal society, while her plight calls attention to the harsh realities of sexual exploitation and the lack of social support for single mothers. Even the marriage between Cosette and Marius serves as a means of social mobility and security and contains symbolical undertones of the restoration of social order and the promise of a better future.

 

 

Gender Roles and Stereotypes

Hugo’s portrayal of gender roles is both reflective of and subversive to the norms of his time: female characters like Fantine, Cosette, and Esmeralda are often depicted as victims of a patriarchal society, yet they also exhibit strength, resilience, and agency. Fantine’s enduring love for her daughter and Esmeralda’s bravery and compassion for Quasimodo challenge traditional notions of femininity and heroism while defying the passive female stereotype prevalent in 19th-century literature. At the other end of the spectrum, masculinity in Hugo’s novels is multifaceted, encompassing both the noble and the flawed, with male characters often grappling with traditional notions of masculinity: Jean Valjean, for instance, embodies both physical strength and deep emotional sensitivity; his journey of transformation from a hardened ex-convict to a compassionate father figure and protector exemplifies the potential for redemption and the moral complexities of manhood. Similarly, Quasimodo, despite his physical deformity, is portrayed as possessing a profound inner beauty and nobility. Conversely, characters like Javert embody rigid and destructive notions of masculinity, driven by an inflexible adherence to law and order, as much as Claude Frollo’s unbridled lust and hypocrisy.

 

 

The Power of Literary Writings for Future Generations

 

 

Victor Hugo’s novels have profoundly impacted literature and society, leaving and indelible mark and serving as catalysts for reflection and change, as they provides a nuanced understanding of the human condition and societal progress and illuminate the humans’ capacity for empathy, the injustices of societal structures, and the enduring struggle for dignity and justice. By intertwining personal narratives with broader historical and national issues, Hugo’s writing offer timeless lessons on the importance of love, compassion, and resilience. For future generations, Hugo’s exploration of love, romance, gender, sex and marriage provides a rich tapestry through which to understand progress and the ongoing quest for equality and belonging, as his writings encourage readers to reflect on the injustices of their own time and inspire a commitment to compassion and justice while challenging them to confront their own biases, to recognize the humanity in others, and to strive for a more just and compassionate world – while resisting the demonization of those who happen to be on the other side of history.

Ultimately, Hugo’s literary contributions bring into the spotlight the power of storytelling in effecting social change: his relatable, memorable characters and compelling narratives bring into existence the struggles and triumphs of individuals within broader social contexts. Set against the backdrop of 19th-century French society, his works critique societal injustices and explore the potential for human redemption and progress. By humanizing the experiences of marginalized and oppressed groups, Hugo’s novels foster empathy and a deeper understanding of the complexities of social justice. They are also a testament to the enduring power of literature to reflect and shape societal values. As readers continue to engage with his works, they are reminded of the multilayered mechanisms of human emotions and relationships, and the ways in which personal and political lives are inextricably linked. Through his literary legacy, Hugo continues to inspire and embolden future generations to envision and work towards a more equitable and humane society, while resonating due to its timeless insights into the human condition and the enduring quest for a more just and compassionate world.

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